Filmmaker James L. Brooks makes his return to directing after a 15-year hiatus with the release of *Ella McCay*, set to premiere in theaters on December 12, 2023. The film features Emma Mackey in the titular role, portraying a 34-year-old lieutenant governor navigating personal and political challenges in an unnamed state during 2008. With a notable career that includes creating iconic television series and winning three Oscars for *Terms of Endearment*, Brooks’ latest project has received a mixed reception.
In *Ella McCay*, Mackey’s character is on the cusp of becoming governor after the current Governor Bill, played by Albert Brooks, is selected for a position in the president’s Cabinet. As she approaches this pivotal moment, her journey is complicated by her husband, Ryan (played by Jack Lowden), her brother, Casey (played by Spike Fearn), and her father, Eddie (played by Woody Harrelson). Each male character presents unique challenges that add tension to her aspirations, yet Ella remains an optimistic force, supported by her aunt Helen (played by Jamie Lee Curtis), her assistant Estelle (played by Julie Kavner), and her police escort, Trooper Nash (played by Kumail Nanjiani).
While *Ella McCay* begins with a straightforward narrative, Brooks’ storytelling takes unexpected turns that detract from the film’s overall coherence. The subplot involving Casey’s attempts to reconcile with his girlfriend, Susan (played by Ayo Edebiri), feels underdeveloped and diverts attention from Ella’s character. Additionally, the political landscape, implied to align with Democratic values, lacks clarity and focus, leaving audiences uncertain about Ella’s true ambitions.
Brooks’ portrayal of Ella as a politician who bores her colleagues raises questions about the character’s likability. Despite these narrative shortcomings, the film shines through the performances of Mackey and Curtis. Mackey, best known for her role in Netflix’s *Sex Education*, brings a compelling confidence that keeps audiences engaged. Curtis offers a grounding presence, providing emotional support for Ella amidst the chaos.
The film’s supporting characters do not receive the same level of development. While Kavner delivers some of the film’s best comic moments, Harrelson’s character is underexplored, and Fearn’s portrayal of Casey may frustrate viewers. Lowden’s performance as Ryan does not significantly enhance the film either, leading to a lack of memorable male contributions.
Brooks, renowned for his contributions to both television and film over a career spanning more than six decades, appears to struggle with *Ella McCay*. Although the film features some standout performances, it ultimately falls short of the expectations set by his previous works, offering little more than a platform for Mackey to demonstrate her capabilities as a leading actress.
As the release date approaches, audiences will have the opportunity to see how *Ella McCay* measures up against Brooks’ storied filmography.
