The 29th edition of the Tallinn Black Nights Film Festival (PÖFF) commences on November 10, 2023, showcasing a diverse array of films from across the globe. Under the direction of festival head Tiina Lokk, the event promises an engaging blend of world premieres and noteworthy selections from the past year’s festival circuit. Audiences can expect a lineup that emphasizes unique, unconventional narratives aimed at challenging traditional cinematic storytelling.
Among the standout films is the documentary Electing Ms Santa, directed by Raisa Răzmeriță. This observational piece follows Elena, a 42-year-old woman in Moldova, as she navigates her political aspirations in a country exploring European Union membership. Over seven years, the film captures her efforts to uplift her community, including organizing clean-ups and supporting the elderly, all while donning a Santa Claus costume each year. The documentary highlights Elena’s struggle against societal pressures as she pursues her dream of becoming mayor.
Another notable entry is The Baronesses, co-directed by Nabil Ben Yadir and his mother, Mokhtaria Badaoui. This film tells the story of four grandmothers in Brussels who decide to take on the challenge of performing Hamlet. The narrative centers on Fatima, a resident of Molenbeek, who, after facing disappointment in her quest for a new home, revives her long-held dream of acting. The film intertwines themes of empowerment and magic realism, promising an inspiring tale.
In a different vein, Scarecrows by Laila Pakalniņa explores the intersection of wildlife and human activity at Riga International Airport in Latvia. The documentary depicts the amusing yet serious efforts of a team of “runway rangers” as they contend with animals that share the airport’s runways. Armed with flare guns and nets, these individuals engage in a comical battle against nature, offering a unique perspective on coexistence.
For those seeking a psychological twist, Interior, the debut feature by German director Pascal Schuh, dives into the hidden lives of homeowners. The film follows Kasimir, a burglar who uses a secret compartment in a couch to film unsuspecting residents in their private moments. Described as a voyeuristic journey, the narrative raises questions about morality and human experience.
Estonian documentary My Family and Other Clowns delves into the lives of renowned clowns Haide and Toomas, who have spent 25 years entertaining audiences worldwide. Their children, Emma, Siim, and Anni, grapple with the complexities of growing up in the shadow of their parents’ fame. The film offers a poignant look at family dynamics and the challenges of balancing public performance with private life.
In the Main Competition, 18 Holes to Paradise by João Nuno Pinto presents a family drama set against the backdrop of environmental crisis. The film follows a family as they debate the fate of their father’s house amidst a raging wildfire. This narrative intertwines personal and environmental themes, reflecting on the broader implications of progress and memory.
Kyrgyz director Amanbek Azhymat brings a dose of humor to the festival with Backstage Madness, an absurdist comedy about the challenges of filmmaking. The film features a 70-year-old director who persists in creating bizarre characters despite numerous setbacks, showcasing the resilience of creative spirits.
Lastly, K-Poper marks the feature directorial debut of Iranian writer Ebrahim Amin. This film tells the story of a teenage girl in Iran who dreams of seeing her favorite K-pop singer perform in Seoul. The conflict arises as her mother strongly opposes her ambitions, showcasing the cultural clash between personal dreams and familial expectations.
As the festival unfolds, audiences can expect to engage with these offbeat narratives that not only entertain but also provoke thought about societal issues and personal aspirations. The Tallinn Black Nights Film Festival continues to solidify its reputation as a platform for innovative storytelling and cultural dialogue.
