UPDATE: The number of LGBT characters in TV and streaming series is poised to decrease by a staggering 41 percent next season, according to the latest report from GLAAD, raising alarms about representation in media. This sharp decline follows mounting pressure from conservative groups who have criticized Hollywood for its so-called “woke” content.
The 2024-2025 Where We Are On TV report reveals that there are currently 489 LGBT characters across scripted primetime, broadcast, cable, and streaming platforms, reflecting a 4 percent increase from last year. However, this number is significantly lower than the record high achieved in the 2021-2022 season. GLAAD anticipates that many characters will not return due to show cancellations or plot changes.
GLAAD President Sarah Kate Ellis responded to the report, stating, “We must not cave to pressure to reduce LGBTQ representation. Freedom of speech includes the freedom of storytelling, and that includes stories of our community.” She emphasized that audiences are more likely to engage with shows featuring LGBT characters, asserting that “LGBTQ-inclusive shows are good for business.”
The decline comes in the wake of several controversial cancellations. Notably, Disney has halted multiple series featuring LGBT characters, including the Star Wars spinoff The Acolyte, which faced backlash for its perceived “woke” narrative. Showrunner Leslye Headland, who identifies as gay, previously remarked that the show was the “gayest Star Wars” installment.
Additionally, Disney’s adaptation of Goosebumps, which featured a trans actor, was canceled after just two seasons despite its popularity among gay viewers. The backlash against LGBT representation has gained traction, with high-profile figures like billionaire Elon Musk calling for boycotts of streaming platforms like Netflix over perceived “gender ideology” in children’s programming.
In another instance, Pixar altered its upcoming film Elio, initially set to feature a “queer coded” main character. Key scenes alluding to his sexuality were removed prior to its June 2025 release, amidst concerns about audience reactions.
The impact of these changes is profound. Many in the LGBT community fear that reduced representation in media could lead to further marginalization. The cultural conversation around these issues is intensifying, as illustrated by rapper Snoop Dogg‘s recent comments expressing discomfort with LGBT themes in family films. “I’m scared to go to the movies now,” he said, highlighting the emotional toll these discussions take on families.
As GLAAD and other advocacy organizations continue to fight for visibility, the entertainment industry’s next moves will be critical. Will they heed the call for inclusive storytelling, or will pressure from conservative factions dictate the future of LGBT representation? The coming months will reveal whether the tide can be turned back in favor of diverse narratives.
Stay tuned for further updates on this developing story.
