The USC School of Dramatic Arts is actively enhancing its curriculum to prepare students for a rapidly changing entertainment landscape. In a recent conversation, Dean and Professor Emily Roxworthy discussed her role on the university’s AI Strategy Committee and the innovative initiatives underway to integrate artificial intelligence into drama education.
Among her responsibilities, Roxworthy emphasizes the ethical need for professional development within the field. She highlighted the importance of the school’s first-in-class Professional Development Center, located on the ground floor of the Dick Wolf Drama Center. Under the guidance of Emmy-winning casting director Debi Manwiller, the center provides students with exceptional resources, from production grants to faculty mentorship, which are critical for aspiring artists.
As part of her teaching duties this semester, Roxworthy expressed her enthusiasm for leading a class that allows non-majors to engage with the vibrant productions at USC. This discussion-based course not only showcases the talents of the faculty and students but also fosters a community around the dramatic arts.
Roxworthy’s recent appointment to Interim President Beong-Soo Kim’s AI Strategy Committee reflects her commitment to exploring the implications of AI in the arts. She noted that the dual nature of AI—its potential as a creative tool and its perceived threat to traditional jobs—will be a focal point of her work. “AI’s rapid progress is the perfect example of why future-proofing our students is essential,” she stated.
As AI technology continues to evolve, Roxworthy believes the dramatic arts uniquely position students to excel. She argues that the skills developed in drama—such as empathy and authentic human connection—become increasingly valuable in a world where technology is pervasive. The school has seen a surge of interest from students in other disciplines, such as business and engineering, who seek to acquire these essential abilities.
In discussing the misconceptions surrounding AI in creative industries, Roxworthy pointed out that while concerns about job displacement and intellectual property theft are valid, the conversation should also include how AI can enhance human creativity. She anticipates that tools powered by AI will empower the multihyphenate artists that the school nurtures. To further support this vision, the Institute for Actor-Driven Innovation is set to launch in 2026, aimed at equipping both current students and alumni with the necessary skills to navigate the intersection of AI and artistic creativity.
Roxworthy underscores the importance of transparent discussions regarding the evolving landscape of the entertainment industry. Drawing from her own experience, she remarked on the lack of guidance she received after drama school when she chose not to pursue acting. “It is our ethical imperative to prepare students for the realities of the workplace,” she explained.
Recent works have also inspired Roxworthy personally, including the Broadway production of A Picture of Dorian Gray featuring Sarah Snook. She has also become an admirer of comedian Natalie Palamides after watching her Netflix special, Nate. Additionally, she praised the HBO Max series The Pitt, which features alumni from the USC program, including Taylor Dearden and Amielynn Abellera.
Beyond her academic pursuits, Roxworthy has recently taken up tennis, a sport she enjoys exploring. Her involvement in the tennis community has been enriched by her membership, sponsored by current and former members of the SDA Board, including notable figures like Connie Britton and Megan Colligan.
As the USC School of Dramatic Arts continues to evolve, the focus remains on equipping students with the tools necessary to thrive in an industry shaped by technological advancements and shifting artistic paradigms.
