UPDATE: The Chicago Symphony Orchestra (CSO) captivated audiences last night with a thrilling performance of Hector Berlioz’s Symphonie fantastique and Harold in Italy, showcasing the dynamic leadership of music director designate Klaus Mäkelä. The concert, part of a series that runs through the weekend, marks an exciting start to the 2025-26 season and highlights Mäkelä’s growing rapport with the ensemble.
As concertgoers filled Symphony Center on October 5, 2025, the energy was palpable. Mäkelä, at just 29 years old, is already making waves in the classical music scene, and last night’s performance offered a glimpse into his innovative approach. The CSO musicians, who played a pivotal role in Mäkelä’s selection, displayed their enthusiastic support, delivering an exhilarating showcase of their talents.
The evening featured two substantial works, with each composition running over 40 minutes. The audience was treated to a rich tapestry of emotions, with sustained applause echoing through the hall after each piece. “We wanted to present a heavyweight program,” Mäkelä stated. “The response from the audience was incredible, and it affirmed the deep connection we have as an orchestra.”
Mäkelä’s commitment to creativity was evident as he paired the two Berlioz masterpieces, creating a cohesive experience that resonated with the audience. The Symphonie fantastique breaks traditional boundaries with its five movements, while Harold in Italy melds symphonic and concerto elements, transforming the viola into a leading character.
Violist Antoine Tamestit, who made his CSO debut in September 2024, returned with an impressive performance. His vibrant interpretation of Harold in Italy captivated the audience, especially when he entered from the back of the orchestra, embodying the wandering spirit of Byron’s poem. The crowd erupted in cheers, reflecting their appreciation for Tamestit’s artistry.
In a moment of added excitement, Tamestit treated the audience to an encore, performing a lively rendition of J.S. Bach’s Cello Suite No. 1, further showcasing his exceptional talent.
The performance of the Symphonie fantastique was equally compelling, with Mäkelä conducting from memory—a choice that allowed for greater freedom and connection with the orchestra. This approach seemed to enhance the performance, emphasizing Berlioz’s imaginative orchestration, including stunning moments like a duet between the viola and harp, performed by guest harpist Emily Levin.
Critics noted the orchestra’s precision, particularly in the brass section, led by new principal trombonist Timothy Higgins. The evening also featured remarkable solo performances from English hornist Scott Hostetler and guest flutist Herman van Kogelenberg of the Munich Philharmonic, who consistently drew warm sounds from his unique grenadilla wood flute.
This concert not only established Klaus Mäkelä’s presence as a leading conductor but also set a high bar for the CSO this season. The excitement surrounding his tenure, which officially begins in September 2027, is palpable, and audiences are eager to witness the evolution of the orchestra under his direction.
As the CSO continues its concert series, music lovers are urged to experience the magic of Berlioz and the remarkable talents of Klaus Mäkelä. The next performance is scheduled for later this week, promising more captivating moments that are not to be missed.
For those unable to attend, the energy and artistry displayed last night are sure to spark discussions and anticipation for the future of the CSO. Stay tuned for updates as this season unfolds, showcasing the vibrant intersection of tradition and innovation in classical music.
